THE ENCHANTMENT by Victoria Benedictsson (Ducdame Ensemble, Here Arts Centre, New York)
LAMB by Milly Thomas (States of Emergency, New Diorama Theatre)
TESTAMENT by Tristan Bernays (Old Sole, Vault Festival, winner Best Show of the Week, awaiting a transfer to a major London theatre in early 2018)
COV by Susie Sillett (Rooftop Sessions, The Old Red Lion)
ORLANDO IN ORLANDO by Tristan Bernays; HAEMOPHOBIA by Camilla Whitehill, both commissioned for IN RESPONSE TO… THE ORLANDO ATTACK (Theatre Renegade, St James Theatre Studio).
POSH by Laura Wade, gender reversed rehearsed reading (Anonymous Is A Woman,The Judge’s Courtroom).
ROCKS by Nathan Wood, written especially for her to direct (The Miniaturists, Arcola).
ALOE ALOE by Camilla Whitehill, (The Miniaturists, Arcola), recently published by Nick Hern Books.
1001 by Camilla Whitehill, (Courting Drama, Southwark Playhouse), recently published by Nick Hern Books.
LOVE IS ON OUR SIDE by Hassan Abdulrazzak, (Courting Drama, Southwark Playhouse).
THE LOST ART OF LOST ART by James Hamilton, (Raspberry Tart, Edinburgh Fringe).
TAKEN IN MARRIAGE by Thomas Gay, (RoL’n Productions, Waterloo East).
BOOM by Peter Sinn Nachtrieb, (LAMDA Linbury Studio, UK Premiere)
ALBERTS BOY by James Graham, (Fight and Hope, Marlborough Theatre, Brighton, The Last Refuge, London).
RADIO by Al Smith, (Fight and Hope, The Albany, London, The Marlborough Theatre, Brighton)
AS ASSISTANT DIRECTOR:
ALICE’S ADVENTURES UNDERGROUND, Les Enfants Terribles’ Olivier Nominated immersive performance of Alice in Wonderland (The Vaults).
JEKYLL AND HYDE, Sell A Door’s new adaptation of the novel by internationally renowned playwright Jo Clifford. (National tour).
In 2015 I was selected for the Old Vic 12 director’s longlist.