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	<title>Gill Greer &#8211; LUCY JANE ATKINSON</title>
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		<title>MEAT, 2020</title>
		<link>https://lucyjaneatkinson.com/shows/meat-2020/</link>
		
		<dc:creator><![CDATA[Lucy Atkinson]]></dc:creator>
		<pubDate>Mon, 17 Feb 2020 18:03:02 +0000</pubDate>
				<category><![CDATA[shows]]></category>
		<category><![CDATA[45North]]></category>
		<category><![CDATA[Director]]></category>
		<category><![CDATA[Gill Greer]]></category>
		<category><![CDATA[London]]></category>
		<category><![CDATA[Lucy Jane Atkinson]]></category>
		<category><![CDATA[New Writing]]></category>
		<category><![CDATA[Production]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Theatre503]]></category>
		<guid isPermaLink="false">http://lucyjaneatkinson.com/?p=593</guid>

					<description><![CDATA[<h4>Theatre503, London</h4>
<p><em>&#8220;You&#8217;re tellin&#8217; me that just because Fiach wears a blazer, cos he reads Joyce and listens to the fucking Smiths, that he hasn&#8217;t done stuff, worse stuff than me?&#8221;</em><span id="more-593"></span></p>
<p>When Max pays Ronan a visit at his restaurant in Dublin, he’s determined to prove to her how far he’s come, but she’s got something bigger to discuss. Over the course of one wine-soaked evening, old wounds are exposed and new truths uncovered. MEAT<em> </em>is a story of class, consent and how modern Ireland reckons with the transgressions buried in its past. How can one couple navigate their shared history when their memories don’t quite match up?</p>
<p><span class="css-901oao css-16my406 r-1qd0xha r-ad9z0x r-bcqeeo r-qvutc0">We were proud to be supported by Solace Women’s Aid. Solace support women and children in London to build safe lives and strong futures, free from domestic and sexual violence and a</span><span class="css-901oao css-16my406 r-1qd0xha r-ad9z0x r-bcqeeo r-qvutc0">buse. </span></p>
<p><strong>Reviews:</strong></p>
<p>★★★★The Stage, ★★★★ TimeOut, ★★★★★ London Living Large, ★★★★ London Theatre Reviews, ★★★★ London Pub Theatres, ★★★★ Spy in the Stalls, ★★★★ Theatre News</p>
<div>
<div id="geom_inter_1584979211129_23_22">‘This is a tense, knotty, lean forward in your seat play … I savoured every morsel.’ Lyn Gardner, StageDoor</div>
<div> </div>
<div id="geom_inter_1584979211129_23_22">&#8220;Atkinson’s direction creates an intensity which leaves the audience reeling long after the show ends.&#8221; ★★★★ A Younger Theatre</div>
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<div id="geom_inter_1584979211129_23_22">&#8220;Atkinson adds touches that intrigue and distance the audience in equal measures, as she very carefully prepares for the disaster to come&#8221; ★★★★ The Reviews Hub</div>
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<p>Written by Gillian Greer</p>
<p>Starring Sean Fox, India Mullen, and Elinor Lawless</p>
<p>Lighting design &#8211; Zia Bergin Holly</p>
<p>Sound Design &#8211; Annie May Fletcher</p>
<p>Set and Costume Design &#8211; Rachel Stone and Eleanor Bull</p>
<p>Intimacy/Movement Director &#8211; Adelaide Waldrop</p>
<p>Stage Manager &#8211; Bryony Byrne</p>
<p>Production Manager &#8211; Harry Fearnley-Brown</p>
<p>Assistant Director &#8211; Yusuf Niazi</p>
<p>Produced by Emily Carewe for 45North</p>
<p>Production Photography by Alex Brenner</p>
<p></p>

<figure class="wp-block-gallery columns-0 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex"></figure>&#8230; <a href="https://lucyjaneatkinson.com/shows/meat-2020/" class="read-more">Read More </a>]]></description>
		
		
		
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